Showing posts with label templar. Show all posts
Showing posts with label templar. Show all posts

Monday, August 21, 2017

Ferryman by Claire McFall Extract

Today I'm really happy to be taking part in the Claire McFall blog tour celebrating the re-release of Ferryman as well as the publication of the sequel, Trespassers. I remember I wasn't entirely sure if this book would be for me when Ferryman was first published but I'm so glad that I gave it a chance. If you too are unsure or on the fence about reading it then perhaps the extract below will help you decide! 



Ferryman extract

“Wait, stop! Where the hell are we going?” Dylan huffed to a standstill and cemented her feet to the ground, folding her arms across her chest. She ’d been blindly following him, but they had been marching for twenty minutes in total silence now, going in who knew which direction and he hadn ’t said a word since the curt “Come with me.” All of the questions, all reasons for staying at the tunnel mouth that had inexplicably vanished from her head when he ’d ordered her to follow had now returned with full force.

He continued on for a few strides, before turning and looking at her with his eyebrows raised. “What?”

“What?!” Dylan ’s voice rose an octave with incredulity. 

“We’ve just come out of a train crash where everybody else seems to have disappeared. I have no idea where we are, and you are marching us halfway across the middle of nowhere, away from the place where they are going to be looking for us!”

“Who do you imagine is looking for us?” That arrogant half-smirk snuck back onto his lips.

Dylan frowned for a moment, confused by the strange question, before launching into her argument once more. “Well, the police for one. My parents.” Dylan felt a little thrill at being able to say that in the plural for the first time. “When the train doesn ’t arrive at the next station, don ’t you think the train company might wonder where it is?”

She raised her eyebrows here, secretly pleased with the strength of her line of reasoning, and waited for him to respond.

He laughed. It was almost a musical sound, but underpinned with a hint of mockery. His reaction confounded and infuriated her again. Dylan pursed her lips, waiting for the punchline, but it didn’t come. Instead he smiled. It changed his entire face, warming his natural coldness. But there was still something not quite right about it. It looked sincere, but it didn’t stretch to his eyes. They remained icy and aloof.

He walked over to Dylan and ducked down slightly so that he could look into her eyes, shocking blue into startled green. His closeness made her a little uncomfortable, but she stood her ground.

“If I told you you weren’t where you thought you were, what would you say?” he asked.

“What?” Dylan was totally confused, and not a little bit intimidated. His arrogance was maddening, making fun of her at every turn and coming out with nonsense statements like that. What could be the point of his question except to bamboozle her and make her doubt herself?

“Never mind,” he chuckled, reading her expression. “Turn around. Could you find the tunnel again if you had to?”

Dylan looked over her shoulder. The landscape was empty and unfamiliar. Everything looked the same. Stark, windswept hills as far as the eye could see, dipping down into gullied valleys where vegetation revelled in the shelter from the constant gales. There was no sign of the tunnel entrance or even the train tracks. That was weird; they hadn’t gone very far. She felt a tightening in her chest as she realised that she had no idea what direction they had come from, that she would be completely lost if Tristan left her now.

“No,” she whispered, grasping how much trust she had put in this unfriendly stranger.


Tristan laughed as he watched the realisation trickle across her face. “Then I guess you ’re stuck with me.” 



Claire McFall is a writer and a teacher who lives and works in the Scottish Borders. She is the author of paranormal thriller Black Cairn Point, winner of the inaugural Scottish Teenage Book Prize 2017. Her debut novel Ferryman won a Scottish Children’s Book Award, and was nominated for the Carnegie Medal and shortlisted for the Branford Boase award. Her other books include dystopian thriller Bombmaker.

Trespassers, the much-anticipated sequel to Ferryman, will be published on 14th September 2017. 

Monday, December 16, 2013

Mini-review Monday (Revolution by Jennifer Donnelly, Silent Saturday by Helen Grant, All the Truth That's In Me by Julie Berry)

It's getting towards the end of the year and as I've been looking through all the books I've read this year and compiling the lists of my favourites of the year  .... I'm also looking at the book I haven't yet reviewed this year and that's making me feel sad.  There are so many books I've read and loved this year that I haven't yet reviewed or raved about. I really wanted to redress that balance slightly by giving you three mini-reviews in a vlog-format today.

Here are my reviews of Revolution by Jennifer Donnelly, Silent Saturday by Helen Grant and All the Truth That's In Me by Julie Berry. Enjoy.



Have you read any of these books? What did you think? Are there any books you've read this year that you loved but haven't yet reviewed that you'd like to? Let me know!

Monday, June 10, 2013

REVIEW: Swim the Fly by Don Calame

Guest review by Kulsuma

Swim the Fly by Don Calame was an amazing book. It was a funny, light-hearted book from the point of view of fifteen year old Matt. With the amount of dark, angst-ridden books out there,  Swim The Fly was thoroughly refreshing. It follows three friends Matt, Coop and Sean as they try to fulfil their summer goal- to see a real-live naked girl. Seeing as none of the guys have had a girlfriend yet, the task is seemingly impossible. On top of that, Matt aims to learn the difficult hundred yard butterfly. Many hysterical antics ensue.

I really liked Matt. He was funny, sometimes awkward and courageous when needed. I loved the way Don Calame portrayed his relationships with his friends and family. There were so many funny moments in the entire book; conversations between Matt, Coop and Sean, scenarios they get themselves into and the crazy ways they get themselves back out of trouble. I could visualise all their antics. It felt much more like a movie than a book. This felt like a slightly older version of Diary of a Wimpy Kid. 

The story moved quickly and there wasn’t a single boring moment. I was impressed because there weren’t any plot holes, no point at which I rolled my eyes at any of their numerous ideas to see a real-live naked girl (even the really crazy ideas like when they cross-dressed and snuck into a girl’s locker room). All the characters were memorable, especially Matt’s grandpa.

I felt like Matt grew throughout the book because he learnt about himself and understood others better, such as his brother and love interest. Overall, I would recommend Swim the Fly to those looking for a funny, light-hearted story about swimming, friendship and love.

Thank you Kulsuma!

Tuesday, January 17, 2012

Blog Tour: India Dark by Kirsty Murray

It is my great pleasure today to introduce Kirsty Murray, the author of the beautiful India Dark, to my blog today! Welcome Kirsty :) Kirsty is here talking about herself and the ways in which writing has fit into her life. It's really interesting guest post, thank you so much!

To find out more about Kirsty or India Dark, please do visit the following places:


Over to you Kirsty...


Mini biography and how writing fits into my life
by Kirsty Murray


I was the middle child in a family of seven kids and when I was really little my parents took us all on a disastrous family holiday. We spent a week trapped inside a caravan while it rained and rained and everyone argued or complained. Perhaps it was good preparation for understanding the cabin fever my characters would suffer when I wrote India Dark. My mother swore she would never take any of us anywhere ever again. She relented ten years later but in the meantime I spent a decade of childhood summers in suburban Melbourne messing around in the back yard. I was really hungry for travel and adventures but the only way I could go somewhere interesting was to disappear into a book. Reading was also a way of carving out a private space for myself in a very busy, chaotic household. I loved the life I led inside books, even if there was a disjuncture between my reading (mostly British and American fiction) and the life I was leading in Australia.

I was hugely influenced by my reading. I started writing very bad Blyton-esque adventure stories when I was in primary school. I graduated to writing the first three chapters of unreadable fantasy novels (I never got past three chapters) in secondary school. Then I moved on to writing realistic stories where nothing much happened. Eventually I decided I needed to actually live a bigger life so I would have something interesting to write about. My parents immigrated to Canada when I was fifteen and I fell in love with the idea of travel. I moved to California to live in an indoor-outdoor house when I was eighteen and then wandered back to Australia where I met my first husband. We travelled around Australia in a kombi van, had three kids, started a graphic arts business together, moved to France, then to Wales and all the time I was thinking “When I grow up, I’m going to write a novel.” I married a second time to a man who ran a children’s circus and had three kids of his own so we suddenly had a Brady Bunch and I found myself living in a household that was even more chaotic than my childhood home. And all through this time I continued to scribble pages of unfinished novels and short stories. It wasn’t until my kids were in school that I realized I would never write anything if I didn’t sit down and take writing seriously. Living a big life isn’t necessarily helpful in terms of producing a solid body of creative work.

I think up until I hit the desk with a vengeance in my mid thirties, I’d made the mistake of thinking that all writing needs to be auto-biographical and I’d run myself ragged trying to lead a life that I thought might be interesting enough to write about. But writing fiction is about using your imagination to enter other people’s lives, not simply your own. It’s about trying on other people’s skins, seeing the world through their eyes and having the chance to live more than your own narrow existence. In that way, it’s not so different to reading. When you write, you enter other people’s worlds and through them, other ways of being.

India Dark took me to India to travel across modern India but at the same time it also sent me time travelling back to 1910 to see those places through the eyes of children who lived in the era of the Raj. Many of my other novels have taken me to amazing place and I’ve had adventures that, as a suburban kid, I could never have dreamed possible. I’ve written nine novels since 1998. Each one of those novels has opened up new ways of seeing the world for me and helped me to understand my place in it. I’ve favoured writing about child and teenage characters because in a way it was the child I was, the child that never went anywhere much on those long suburban summer holidays, that propelled me into literature. As a writer, the biggest adventures have been the ones that I’ve had at my desk. That probably sounds twee but it’s true. The life of the mind – the adventure of imagining your way into the world – is limitless compared to any ordinary bus, train or plane journey.

REVIEW: India Dark by Kirsty Murray

I don't know what it is, but something about India really intrigues me. Which is partially why I was excited to read India Dark by Kirsty Murray, despite it being an historical novel. But of course, the other part of it (pretty cover aside!) is the fascinating premise of it.

Based on a true story, India Dark tells a fictionalised story of a children's travelling theatre group in 1910, which went on strike while touring India and refused to go any further until the manager is removed. What I was most curious about is that this happened at all. It's a large group of children, varying in age, whose parents had signed over custodial rights in order for their children to work in this theatre group for two years. I find that incredible! From a parent's perspective, I find it unimaginable - with worries about safety and education and living and travelling conditions. But of course, as a child, I'd probably only be thinking of the adventure of it all. The excitement of seeing the world and performing in front of mixed audiences and the freedom that would go along with it.

And at first, that's what this story seemed to be about. Told in a dual-perspective by two of the girls in the travelling theatre, they tell a story of leaving their homes in Australia, encountering different social customs in Southeast Asia. These two girls, Poesy and Tilly, tell of the lack of education the children receive, the attention that the girls get after performances. It tells of costumes and set changes and the different songs and dances that are performed. There's a lot of bickering and arguments between groups of people, of course. But things mostly run smoothly.

But then things start becoming a little more dire. As news of poor showings and ticket sales occur, it soon becomes evident that this group, once on their way to America, will now detour throughout Asia and spend a great deal of time in India instead. And while a lot of the story is a straightforward account of events, it also brings up the stifling feelings of the older girls who want more control and freedom to choose which songs to sing and to roam about more freely.

When more and more conflict arises from friendships with some of the male fans of the showand when secrets and betrayals start coming between the friendships of those within the group and when more of the girls start rebelling against their minders, everything seems to come apart and snowball in terms of problems and conflict.

I really enjoyed this story, seeing the events unfold from two very different narrators with different ideas and priorities and viewpoints. While I did find the story to be a little bit long, I really enjoyed the making and unravelling of friendships in India Dark. I loved the detail of the performances, especially Charlie's interest in magic, and also how well Kirsty Murray showed that the truth can be very complicated and have many different sides and perspectives.

Saturday, October 22, 2011

REVIEW: Forgive My Fins by Tera Lynn Childs (Paranormal Month)

AWWW! What an absolutely sweet story Forgive My Fins by Tera Lynn Childs is. I'd heard good things about it and I was definitely looking forward to it, but I really wasn't expecting it to be as fun and light-hearted as it is. I read this book very quickly and it really put the biggest smile on my face. What a lovely book!

Lily Sanderson is a really wonderful character. She's so adorable that I couldn't help smiling at her funny little fish analogies (for example, she sees her next door neighbour with his shirt off and thinks 'Lord love a lobster!' which actually made me laugh out loud!) and her absolute uselessness at asking out her long-term crush, Brody Bennett. Even with the help of her best friend, Lily is still so tongue-tied and nervous around Brody that it's been getting a bit ridiculous. Lily has loved Brody from afar for three years and yet still nothing has happened between them.

But Lily has a pretty big secret that she's been hiding - she's no ordinary girl, but rather a half-human, half mermaid. And when mermaids kiss, they form a lasting bond and are mated for life. Lily is determined that Brody will be the recipient of that permanent bond, but she's finding it rather difficult to take that next crucial step by telling him how she feels. When her annoying neighbour Quince offers to help, Lily reluctantly agrees. What follows is the sweetest and most utterly adorable paranormal story of first love and acceptance and friendship. Honestly, I've not come across a more sweet story than this one in a long time.

While at times I found Lily to be a tad annoying in her unchangeable views about Brody and the future of their relationship, everything else about the novel felt too wonderful to let that detract from it. I found Quince to be charming and sweet. I loved the quirkiness of Lily and the beautiful landscape of this underwater kingdom. I really didn't expect to love a mermaid story as much I did, but the light-hearted romance of this book really balanced out the gloomy/mopeyness of some of the other paranormal books I've been reading for this event.

I absolutely loved Forgive My Fins and I am eagerly anticipating the sequel! Well done, Tera Lynn Childs!

Sunday, September 04, 2011

Blog tour and Review: POD by Stephen Wallenfels

I'm not a big reader of science-fiction, but I've been really lucky that every time in the past year that I've picked up a scifi novel, I've really enjoyed it. Once I started POD by Stephen Wallenfels, I was instantly pulled into this scary story of two different young people desperately trying to hold on when everything falls apart. An alien invasion changes everything and it left me constantly wondering what I would do if I were in Megs or Josh's place. POD is a story of survival and hope and of humanity. And I'm really glad I read it.

I found the dual-narrative of POD to be quite interesting. In most stories with such a split perspective I could see some overlap or a clear reason for telling the story from a different point of view. There isn't such a clear or obvious reason for the story to be told in this way right from the start, but both stories are incredibly interesting and very pacey and the break in one story line to jump to other sometimes made me really excited and it wrenched up my levels of anticipation to get back to that character.

POD is told in part by Josh, a 15 year old boy who is at home with his father on the morning that the alien invasion occurs. Huge black spaceships appear overhead and zap any people who might leave their homes. Josh finds it very difficult to come to terms with this new intrusion into his life and also struggles with his attitude towards his father who has OCD tendencies. Together they come to this uneasy truce, but are also able to have a better understanding of the other. They talk about some very serious things - food rationing and how to take care of their dog and what happens next.

Whereas, not far away, Megs has been on a road trip with her mother and when the PODs (which stand for Pearls of Death) show up, she's alone in a car in a multi-storey car park waiting for her mother to come back. At 12, Megs has already had some difficult life experience and she really needs her mother. Instead of curling up somewhere and giving up when it becomes clear that she has no food or water or any protection, especially from the armed thugs who have taken control of the hotel next to the car park, Megs really shows her courage and strength and resourcefulness by scavenging for food and for keeping herself alive in such a desperate and grim time.

I really loved this one. I loved the development in Josh's relationship with his dad and seeing the way in which both Josh and Megs learn to cope with such drastic and massive changes. Megs is such a wonderful, strong character. I really couldn't imagine having the ability to pull myself together like she did, taking it all one day at a time.

POD is a really exciting book, and while it doesn't give very much information at all about the aliens or their purpose or reasons for being, I didn't feel that it mattered at all. This book seems more about the capacity for humanity and survival than anything else. I recommend it.


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I really loved my experience of reading POD by Stephen Wallenfels, so I was thrilled when I was offered the chance to be part of the blog tour and host a guest post from the author. Here now is a Stephen Wallenfels who discusses the process of writing POD and how everything comes together after one very important thing... If you'd like to know more about POD, please do visit this very cool website. Over to you Stephen...


Voice.

If you asked me to squeeze everything I know about the challenges of writing into a single, one-syllable word, that’s it. In my writing universe VOICE is the wind that turns the wheel that pumps the lever that spins the gears that grinds out the finished product. In this case, that product is POD.

In the order of how things happen, sometimes it’s the idea, sometime it is voice. POD was an idea that emerged from a dreamscape. But voice wasn’t far behind. After thinking about the idea for a few days, I sat down to see who would tell me the story. The first words I heard were: The screeching wakes me. (Actually I wrote that sentence about twenty times). The more I listened, the more details that emerged. Okay, he’s a boy. A teenager. Sarcastic, kind of whiny. Impulsive, intense, lazy at times, but ultimately a scared kid with his heart in the right place.

Once I have the voice down, and it takes a couple of chapters to get it right, then I start considering the other stuff, like plot, structure, secondary characters, subplots, outlines, theme—and the pulse that drives the voice: tension. POD started out as a short story, The Pearls of Death. With some urging from a friend I decided to add a second protagonist in a different setting, alternate the chapters, and see if it will be enough to make a book. So I sat down to listen, and hoped the voice would be interesting enough to engage me for the months it would take to finish this project. Luckily it was Megs that showed up. I had a blast listening to her, and she was a welcome relief from Josh—who, like I said, had an annoying tendency to whine. Of the two, Josh was the most challenging (there a pieces of me and my son and a high school friend in him), while Megs was just flat-out fun. And just to be clear, my son is not the sarcastic whiner.

So I have the voice. Then what? All the other things have to fall in place, including squeezing the time to write what I hear. Since I’ve studied the craft of screenwriting (which I happen to enjoy more than writing novels) I have a tendency to break my writing up into scenes. The only absolutes I make sure are present in each scene are what I call the 3 C’s: character, conflict and change. Sometimes these scenes come easy, sometimes it’s like passing a kidney stone.

Once I reach those blessed two words: The End (or Fade Out if it’s a screenplay), then the next process begins—finding someone to think it’s good enough to publish. That’s pretty much like finding the Holy Grail. An important step in that journey is to find some very good and patient readers that give you honest opinions. I rely on my wife, my son (now in his twenties) my writing group and my agent. They are all helping me churn out my next major project—the continuing adventures of Josh and Megs. Lucky for me, I enjoy their company and they enjoy mine (I think).

Oh, and one final stage in this process. Josh and Megs say that POD would make a great movie. They want to know what you think.

Friday, September 02, 2011

BLOG TOUR: Exclusive Extract from Wickedness by Deborah White


I have the great pleasure to be today's stop on the Wickedness by Deborah White blog tour! Deborah White is a UK author and Wickedness, which is published this month is quite an exciting new fantasy romance...

And to celebrate today's blog tour stop, here are the first two chapters of Wickedness to whet your appetite for this brilliant book. But first, here is the product description:

A thrilling adventure that combines history fantasy and romance. Refreshingly original, from an exciting new voice in teenage fiction. This is a stunning debut in a brilliant new series for teenage girls from new Templar author Deborah White. A powerful and charismatic man; an Egyptian mummy and twenty spells written in hieroglyphics on parchment. An emerald casket, a French ropewalker and two red-haired girls, fourteen years old and living in London, but four hundred years apart - are all united by blood and by a devastating prophecy.

And now, the first two exciting chapters of WICKEDNESS...

Chapter 1

It was the funeral that afternoon. People would be coming back to the house after the burial. A few old friends. A couple of distant cousins. No religious service though. Grandma hadn’t believed in any of that.

“If there is a God, Claire,” she’d said, “then he isn’t in the churches. He doesn’t speak through them. No, when you find wickedness in this world, don’t look to anyone else to save you from it. You have only yourself.”

Now she was dead and Claire was sent running upstairs to fetch chairs. People would need somewhere to sit as they sipped their drinks and ate their sandwiches. As they laughed too loudly, saying what a shame it always took a death to bring them together like this. She found a bentwood chair on the landing. It was light as a feather, so she took that down first.

“Any more?” said Claire’s mum, sounding fussed and distracted. Looking tired, and puffy-eyed. “Try Grandma’s bedroom.”

She didn’t hear Claire’s sharp intake of breath. Had no time anyway for a daughter who might not want to go into the room where Grandma had died just a week before.

“Hurry!”

So there she was, standing outside Grandma’s bedroom door, feeling unsteady and afraid. She had to take a deep breath before she could turn the brass knob and push open the door into the wide silence of the room.

Heavy lace curtains filtered only a very little light through the bay of the window, but Claire could still see, just.

There was the big bed, so high off the ground that Grandma had needed a stool to climb in. A chest of drawers to one side, at the right height for a mirror. A small clock, still ticking. A hairbrush, strands of Grandma’s long dark hair caught in it. A pillbox. A jewellery case, already lightly covered with a talcum of dust. And on the other side of the bed, a heavy looking carved oak chair with Grandma’s silk dressing gown still tumbled over it.

“Claire! What are you doing? I need those chairs now, not next week!”

“Coming! I’m coming!” She hurried to pick up the dressing gown, breathing in as she did, an echo of the sharp smell that was Grandma. And it was then that she uncovered it. An emerald-green box, resting on the seat of the chair and shimmering softly in the half light.

She dropped the dressing gown onto the bed, then hunkered down on her heels so she could get a better look. It wasn’t very big. As long as her hand, and a hand’s length deep. And when she plucked up the courage to touch it, it was as smooth as glass under her fingers.

It was unexpectedly light. It almost seemed to float in her hands. She turned it this way and that, looking to see if there was any clue as to what it might be. There was nothing. It wasn’t decorated at all, except for a faint line marking the edge of the lid. She looked closer. There was an oval etched deep in black, just at the place you’d expect a keyhole to be. And etched inside the oval, a crocodile’s head resting on the palm of an outstretched hand. She knew at once that it was some sort of hieroglyph. She’d seen writing just like it at the museum.

“Claire! Hurry up will you?”

Giving the box one last look and quite forgetting about taking the chair, she tumbled down the stairs, breathless, thinking, I’ll ask Mum about it later. When everyone’s gone. Maybe she’ll know what it is.

But maybe she wouldn’t ask, because Claire’s dad had come to the funeral. Uninvited. Looking like a stranger in his charcoal-grey suit and black tie. And her mum had got very emotional when he’d said, “Let me take them back home, Jill. Give you some space.”

Them being Claire and her little sister Michaela. Micky for short.

“Space,” she’d shouted at him, loud enough for everyone to hear. A split-second’s uncomfortable silence, then a crescendo of embarrassed chatter. “I thought you were the one who needed that… to, what was it… find out who you really are?” Her face was drained of colour. Her hands clenched so tight her knuckles showed white. “Well I know what you are. You’re weak and selfish. No, you can’t have them. Their home’s here, in their grandmother’s house. It’s my house now and they’re staying.”


Manuscript 1


My name is Margrat Jennet. I live in the house of Nicholas Robert Benedict, physician. For my mother and father are both dead and I fear, now, for my own life. But I do not think he means to harm me – yet. For I make him think there is still hope of a daughter, a precious girl child.

When he presses close. When I feel the warmth of
his breath sweet on my cheek. When I feel the heat of his body, and see the tremor of pulse in his neck, I do not move away. My heart beats very fast. I feel a prickle of fear raise the hairs on the nape of my neck.

“Ah, Margrat,” he says. “You smell of the sweet
meadow hay.”

And I tremble like the harvest mouse in hiding, as
the swish, swish, swish of the scythe draws near.

He said that my mother made him my guardian.
Certainly I did see a will, made after my father’s death. It was in my mother’s hand, and bore her true signature. It may have been that she was forced to sign. But I think she did so in good faith. For who would not trust such a man? He is known everywhere. In high, and in low places. And he is fine and handsome. Tall,
and smooth-skinned. He has dark eyes burning like coals. The hot, restless smell of him when he is close makes me afraid, yet draws me in. Like a moth to the candle’s flame.

These thoughts shame me. I am tested every minute
of every day, and may fail to hold out against him. So I have vowed to write down everything I know and place it somewhere safe, so that, God willing, any who come after me will be forewarned and may be saved.


Chapter 2

Later, in the bedroom Claire was having to share with Micky – when it was dark, and the only sounds were the sharp cracks and creaks of an old house settling, the soft shallow whispering sound of Micky breathing – Claire thought about what her mother had said. My house. They’re staying. Typical. Everything always revolved around what her mum wanted.

Claire’s own breathing quickened. She wanted her mum and dad to sort out their lives, so that she could get on with hers. She wanted to be lying in her own bed, in her own room, in her old house. She wanted to be kept awake at night worrying about those things that her mum and dad would think were trivial and unimportant. Friendships: Katrin and Jade. Jade, who had three tattoos and her nose, eyebrow and belly button pierced. Katrin who didn’t and never would. Because Katrin was going places and already knew that, where she wanted to go, appearances mattered. That most people don’t take the time or trouble to see what’s swimming below the surface. That acting the part is, most of the time, all that you need to do.

And Claire. Not knowing how she fitted in. Anywhere. Being afraid she would be the sort of person who had the tattoo and piercing, but only where it didn’t show. Being afraid because she hadn’t felt anything when Grandma had died. Nothing at all. And that wasn’t right was it? Only to feel relief, because she hadn’t liked her. Had been scared of her even. Had found her fierce intelligence, dark moods and oppressive silences unsettling.

Claire sat up. Threw back the covers. The cold chill of the room hit her like a wave. She swung her legs over the side of the bed. Felt panic closing her throat and beads of sweat forming at her hairline. And all the while dispassionately observing her own terror.

“Micky?”

But Micky didn’t wake.

Claire crawled into Micky’s bed. Rolled Micky onto her side to make room. Folded her body round Micky’s, needing to breathe in, just this once, the soft, sour, familiar smell of her skin, her hair. Felt the brittle, chicken-winged boniness of her and clung tight.


Manuscript 2


It began ten months before my 14th birthday. On the 27th day of February, 1665. In weather so cruel and bitterly cold, birds fell clear out of the sky, and a boy was found frozen to death, just a step away, in Jerusalem Alley. But I gave no thought to that. The river was iced so thick that a frost fair was set out upon it. I’d heard there were any number of stalls and entertainments and I wanted to go.

My father had given me a little money for some
work I had done for him in his shop; unpacking a leather bag that had recently come into his possession, and was full of scrolls covered in strange writing. Not letters, but pictures used as signs. My father had said they were hieroglyphics, the language of the Ancient Egyptians. And there was no one still alive who could understand it, but there were many who tried.

“For it was believed, Margrat,” my father leaned
in close to me. His voice fell to a whisper, “that the Egyptians knew many wondrous secrets and anyone able to decipher their language would be privy to them. How powerful and rich they would be then.”

Oh! I determined at once that I would be the one to
unlock those secrets. How happy my mother would be with me if I could. For we would be rich. Have wealth enough for her to forgive me the sin of being born with red hair. But until then I meant to spend the money that
I did have as quick as I could, before my mother took it from me.

And that is how I first met with Doctor Nicholas
Robert Benedict.

---

I had been at the fair a long while, for there was plenty to see. I’d watched a puppet show, a rope-walker and the horse and carriage races. I’d bought a new ribbon and some lace to trim my dress. I’d paid my pennies to an old woman in a fortune-teller’s booth. She took my money, read my palm, and told me she could see nothing but blackness. Which made me very cross, for that is no future at all. And so I stepped out of the booth in such a temper, I slipped on the ice and the shock of it took my breath clean away. My ankle turned under me and I would have fallen, but a man sprang forward and caught me. He held me tight in a clasp as hard as iron. I looked up into his eyes, deep and black as the night sky with no stars to light it.

Then I heard him say, “Margrat!”


“Do I know you, sir?” I asked, pulling back.
There was something familiar about the smell of him and it disturbed me.

He smiled, and I noticed that his teeth were not
rotten and black at all, but very white and even. His breath did not smell of decay, as most people’s did, but was as sweet as honey.

“I saw you in your father’s shop when I was
enquiring after Egyptian scrolls,” he said. “You seemed in a hurry then too. You pushed so close past me as I came in at the door, that a strand of your hair caught in the pin on my cloak. It was such a perfect red gold, that I took it for an omen of good fortune and kept it.”

Then, before I had a moment to reflect on that, he
told me his name.

I gasped and felt a hot flush flood my face. For this
was the man all London seemed in awe of. His name spoken in excited whispers: Doctor Nicholas Benedict! Have you heard? He performs miracles and cures the sick! He is more wealthy than Croesus. Has more charms than the Devil himself. And, can you believe it, no wife to care for him.

Now he was asking if he might take me home, as
his carriage was waiting nearby. Oh! Such moments are what fate turns on. I felt it, as if the world had stopped spinning for a heartbeat and I had stepped clean out of time.

He moved in close and took my arm. “Come, there
is nothing to be afraid of.”

Which seemed true, for it was said that he was
always at Court and was a close friend of the King. Besides, my house was not far away, and the streets were full of people.

And he was such a fine, well-dressed gentleman.
He wore a hat made of beaver fur trimmed with an ostrich feather. He carried a black lacquered cane, with a snake’s head in silver and on his finger was a diamond ring.

I had met with many men of quality in my father’s
shop, behind St Paul’s, where he dealt in rare books and manuscripts. But I had met no man before this, of whom all London seemed in awe.

So with my ankle beginning to swell and painful to
walk on, I thanked him. Let him lift me up into the carriage. Sit so close to me, that I could feel the heat from his body, and smell the sweet spiciness of his perfume. And though he spoke softly to me, I was struck quite dumb. My tongue tied into a thousand knots, and I was never in all my life so pleased to reach home.

---

Our maid Jane came to the door and her mouth dropped open at the sight of me, Margrat Jennet, brought home in such a fine carriage.

The Doctor jumped out, then reached up to help me
down. I felt his hands circle my waist inside my cloak. I felt his diamond ring pricking my side, and his thumbs pressing hard into my ribs as he lifted me out. My face came level with his. He drew in his breath and must have drawn mine in with it, for I had none left. And the world lost all its colour, and I was falling down.

When I awoke at last, it was to candle and
firelight. The sound of coals hissing and shifting in the grate. Jane asleep on the truckle at the end of my bed. My hair loose and damp with sweat, spread out, my father said, like rays of the sun. Then other voices, and the door opening and my mother taking my hand and whispering excitedly in my ear, “Doctor Nicholas Benedict, no less. In my house, and tending to the health of my daughter! Be nice to him, my poppet, won’t you?”

Even my father seemed amazed and grateful for it.


“It was a lucky day you met with the Doctor,
Margrat. For he is just lately returned from Egypt, and without his help you would have been lost. For you were sick to your very soul, he said, and tied to this world only by a thread. But by some magic he learned on his travels, he brought you back to us.”

My father turned, smiled, and held out his hand.
“Now he has come to see if you are feeling better.” And the Doctor stepped forward out of the shadows.

I struggled to sit upright, but I was weak.


“Shh. Be calm. Lie still now.” The Doctor leaned
in so close over me that I could see how the pulse in his neck quickened. How tiny prickles of sweat formed on his forehead and upper lip. Like hot breath on a cold windowpane.

Lightly stroking my hair back from my forehead, he
said, “The fever is not yet gone.” Then he loosened the ribbons around the neck of my nightgown, and the tips of his fingers brushed the length of my collarbone.

Now he saw the ring on the braid about my neck,
and I thought all was undone. For I had stolen the ring. Taken it from a leather bag full of scrolls I had unpacked for my father just a few days before. It had been tied on a thin braid of woven red linen. Not a beautiful ring, studded with precious jewels, but fashioned in plain gold, inset with an oval blue stone. The stone was carved with a crocodile’s head resting upon the palm of an outstretched hand. It was unlike anything I had ever seen before.

I had tried it on at once, but it was so small it
would not pass over the first joint on the ring finger of either hand, though I pushed and pushed. My hands are not dainty like my mother’s.

At least, I thought, it will fit snug on my little
finger, but it was too loose. Even so I meant to have it. But I knew that even if my father would let me keep it, my mother would not. If she thought it had worth, she would make my father sell it. So I had tied the ring on its braid around my neck.

I ought not to have taken it. I know that. But
I liked the feel of it, resting warm and heavy against my skin.

How heavy it felt now, and hot. As if it were burning
deep into my flesh. I looked up into the Doctor’s eyes. Saw myself reflected small in them. Then, leaning in towards me, his mouth close to my ear, he whispered something so strange I felt a quiver of fear flood through me.

“Tell no one about the ring, Margrat. And do not wear it on your finger on pain of death. But keep it on its braid around your neck always, for its hieroglyphics protect you from Sekhmet. Her messengers, carrying pestilence, are even now spreading out through the lanes and alleyways of London. For the hour is near, and I must keep you safe. I have need of you, Margrat.”

------------------------

Ooh. Intriguing, eh? Wickedness by Deborah White is available now! And please do visit Books For Company on Monday for the next stop on the blog tour ... and to learn more about Wickedness or Deborah White, you can follow her on Twitter or read her blog!

Thursday, August 04, 2011

REVIEW: A Tangle of Magicks by Stephanie Burgis

Oh, I love Kat Stephenson. And this book. I read A Tangle of Magicks by Stephanie Burgis very shortly after reading A Most Improper Magick and while I did worry for a minute that I might not like the sequel as much, my worries were completely unfounded. A Tangle of Magicks is so exciting and I really need more Kat in my life.

I really just can't get enough of Kat's Unladylike Adventures. Kat is just so much fun. I really love how A Tangle of Magicks contains everything that I really love about the series - the magic, the fun characters, the great relationships between characters, and seemingly huge, insurmountable problems - but also provides us with a fun new setting, new fun characters, more magic and even bigger problems for the Stephenson family.

As the story begins, Kat and her family are preparing on the morning of her sisters' wedding. Everything should be rosy and fairy tale-like in the Stephenson family, with Elissa getting married and with Angeline having found her true love. But of course things do not go to plan at all, and the Stephensons find themselves very quickly uprooted to Bath to stay with snooty relatives of Stepmama's in order to escape from the gossip and scandal that they've left behind at home.Having been banished from the Order of Guardians and with Elissa away on her honeymoon and Angeline not talking to her, Kat is left to her own devices for much of the book as she finds herself entangled in this mysterious and dangerous plot involving wild magic and the Roman baths.

While in A Most Improper Magick, I felt the story mostly revolved around the actions of the three sisters, but for A Tangle of Magicks, that family dynamic has shifted considerably. The presence of Kat's brother, Charles, and of Kat's father become more apparent as they play a bigger role in the chaos and mishaps that occur throughout the novel and I really enjoyed reading of their respective parts in the family. And though Kat and Angeline have their own problems in this story, it really is apparent how much they care for each other and towards the end I actually shed tears at the strength of their sisterly relationship. Sniff.

Kat is just as wild and unstoppable as before and I love that about her. She's very brave, standing up against the injustices that she and her family have suffered at the hands of Lady Fotherington. She's also loyal and stubborn and strong and really is a fantastic character. And the setting of Bath is really wonderful. I loved all the details of the Pump room and how Society would congregate there, drinking the water with its healing properties.

A Tangle of Magicks is an incredible sequel in a series not to miss. It's magical and adventurous and funny and utterly unladylike. And I really cannot recommend them enough!

Wednesday, August 03, 2011

A Tangle of Magicks Blog Tour: Amazing Women by Stephanie Burgis

I'm going to come out and say it right now, I adore Stephanie Burgis, and I did even before I read either of her books! She's an absolutely lovely person and I feel an emotional connection to her as we are both American transplants living here in the UK.

But then I read A Most Improper Magick and A Tangle of Magicks and I love Stephanie even more. Because in these book she has created one of my absolute favourite fictional characters in Kat Stephenson. I absolutely loved Kat's wild, wholly unladylike adventures. Her choices and her behaviours always made me cheer and I finished reading the books with the biggest smile on my face.

So it is my great pleasure to have Stephanie Burgis here today on the blog tour for the absolutely fun and entertaining A Tangle of Magicks! And because it's all SO exciting, here is the link to the publisher's Facebook page in which copies of A Tangle of Magicks can be won. Also, on Steph's website is a short story involving Kat called Duelling Magicks, which takes place after A Most Improper Magick but before A Tangle of Magicks! Do check it out.

If you'd like to know more about Stephanie or the Kat Stephenson books, please do visit the following sites.




Ever since Michelle started her “Amazing Women” series, it’s been one of my top blog-reading highlights every week. I love getting personal snapshots of other women’s life stories - and their teenage survival stories, too, since even those of us with the happiest childhoods still had to survive the traumas of teenagehood.

(I remember sitting in pep assemblies back at my high school in America, listening to the teachers yell: “These are the best years of your lives!” - and I’d sit there in the bleachers thinking: “Oh, NO. Please, please, please don’t let that be true…because if it is, my life sucks!”)

(Luckily, they were totally wrong. Life gets SO MUCH better after secondary school!)

Michelle’s blog series also ties in perfectly into my own fiction-reading habits, because any time I pick up a novel to read for fun, what I’m personally, selfishly looking for is amazing women, of any age. I want to read about strong, smart heroines who take charge of their own lives, even in the toughest of circumstances. I love reading about believable, flawed, human heroines who are active and assertive even in the most difficult situations, heroines who stand up to powerful injustice, heroines who fight with all their hearts for what they believe in…or in other words, I love reading about the kind of heroine I secretly want to be, even if I don’t always measure up in real life.

Needless to say, that’s exactly the kind of heroine I most love writing, too. My trilogy is called The Unladylike Adventures of Kat Stephenson, and it’s true: despite being brought up in genteel nineteenth-century England, Kat is anything but an elegant lady. She’s brash and loud, loyal, adventurous, strong, smart and endlessly creative…but terrible at remembering and following delicate social rules. She gets into an enormous amount of trouble, she sometimes ends up in terribly embarrassing situations…but she always, always fights for the people she loves and the principles she cares about.

What about you guys? Who are your favorite fictional heroines? (Some of mine: Elizabeth Peters’s Amelia Peabody, Jane Austen’s Elizabeth Bennet, Y.S. Lee’s Mary Quinn…)

And: which heroine do you secretly wish that you could be?

Tuesday, August 02, 2011

REVIEW: A Most Improper Magick by Stephanie Burgis

AHHHH! I love this book. Really and truly. A Most Improper Magick by Stephanie Burgis is such fun that all the way through reading it, I just felt incredibly happy. There's just something so wonderful about Kat Stephenson that it makes me grin wildly and cheer for her.

A Most Improper Magick is the story of Kat Stephenson and her sisters who are living in Regency England, which means that there are so many rules and restrictions placed on females in terms of manners, and decorum and marriage. And Kat Stephenson lives to break every single one of those rules! She's a fesity 12 year old girl who as the story begins has chopped off her hair in this mad scheme to run away to London in the disguise of a boy in order to make her fortune. The reason? So that her eldest sister doesn't have to marry an old, possibly-dangerous man in order to save her family from her brother's gambling debt.

I think that's the best thing about Kat - she's stubborn and obviously very unladylike, and she gets into the worst scrapes. But you can tell that everything Kat does (however misguided) is for the benefit of her family (and because she doesn't quite believe in the ideals of the time!). In fact, aside from the wonder that is Kat Stephenson, my second favourite aspect of the novel is the wonderful relationship that Kat has with her two older sisters, Elissa and Angeline. I love the dynamic between the three of them and how well they know each other's mannerisms - from facial expressions to different tones of voice to their very short tempers. I've always wanted a sister, and after reading this book, I've decided that more than anything, I want to be a Stephenson sister!

So, the family are in a bit of trouble, with Charles, their rather useless brother, gambling up a storm and getting into terrible debt. Kat's step-mother decides the best solution to the family's problem is negotiating for the eldest Stephenson to be married to an older man and Angeline and Kat both have serious objections to this, which they deal with in similar yet very different ways: magic. What follows is this hugely exciting tale of sisters and love spells, a mysterious magical order and a highway bandit. Seriously, this book is amazing and I can't recommend it enough. It's funny and fun and I was constantly wondering how on earth is everything going to turn out OK after the messes that Kat and her family land themselves in. I love the different types of magic involved in the story and I can't to wait to explore it more in the following books.

Also? The absolutely final scene had me whooping with excitement as it is just perfection. Please read this book, it is incredible.

Coming up - this week is heavily devoted to the awesome Stephanie Burgis, as I will be reviewing the sequel, A Tangle of Magicks as well as bringing you both a guest post AND interview with Stephanie Burgis! Stay tuned.

Thursday, April 28, 2011

Review and Interview: A Small Free Kiss in the Dark by Glenda Millard


This complex and haunting exploration of life on the edge and what it takes to triumph over adversity is a story about the indomitable nature of hope.

Two young boys, an old tramp, a beautiful teenage dancer, and the girl's baby-ragtag survivors of a sudden war-form a fragile family, hiding out in the ruins of an amusement park. As they scavenge for food, diapers, and baby formula, they must stay out of sight of vicious gangs and lawless solders. At first they rely on Billy, the only adult in the group. But as civil life deteriorates, Billy starts to fall apart. Skip, who is barely into his teens, must take over and lead them on a search for sanctuary.


I hardly know how to find the right words to review A Small Free Kiss in the Dark by Glenda Millard. It's a really sweet book and the main character's voice is one that pulled me into the story from the very beginning. Once I started the story, I couldn't put it down and I found myself feeling all sorts of different emotions that I didn't know how to deal with. It's that sort of book. But in a good way of course.

Skip is homeless. He had a home but it wasn't very good, so he left it. Despite the rough life that it's hinted at that he has led so far and despite the hardships Skip has had as a homeless boy, he still maintains this wonderful and innocent view of life. His passion is drawing with chalk on the pavements around him - he sees the world around with such exquisite detail.

Skip seems drawn to another homeless person, Billy. And when disaster strikes and the city is falling apart under air strikes, the Skip and Billy band together. Joining them is a little boy, Max who has lost his mother. They think it best to leave the city and they end up in an abandoned fairground. Joining their little group are a beautiful teenage dancer, Tia and her baby. As a group, they search for food and supplies for the baby and find the best ways to make it through the war.

It should be quite a grim story so far. A homeless man and two young boys struggling to survive while the world falls apart around them - but it isn't. There's passion in the characters, Billy's music, Skip's artwork, Tia's dancing. The strong bonds and relationships between each of the characters - especially Skip and Billy, and Skip and Max. Though all are strangers at first, there is such generosity and kindness between them all. What is most surprising, is how Skip seems to be almost overjoyed at this new situation he is in, as it's everything he's always wanted - a place to belong with his strange, new rag-tag family. I also really loved the juxtaposition of a world torn apart, and our characters living in a theme park.

I think what A Small Free Kiss in the Dark does really well is show how even in times of crisis and despair, there is still hope and friendship and kindness and family. Beautiful little book, one well worth reading!

--------------------


Thanks to the kindness of Glenda's publishers,
Templar, I am today's blog tour stop with this interview with the lovely author of A Small Free Kiss in the Dark, Glenda Millard. Hello Glenda!


First of all, I'd like to say how much I loved A Small Free Kiss in the Dark! For those who haven't read it, can you tell me a little something about the story? And the title?

Thanks Michelle. I’m so glad you enjoyed reading my book and thanks for helping me with this blog tour.

While I had many ideas for the title of this book, I couldn’t settle on one. We were almost to the end of the editing process when my publisher suggested the eventual title, A Small Free Kiss in the Dark. It is a quote from a line spoken by Skip, the leading character. Immediately she mentioned it I knew it was right as those few words seemed to capture the essence of the book; a small innocent kiss, between two young people searching for love and acceptance. A bright moment in what otherwise seemed a very bleak world.

A Small Free Kiss in the Dark is the story of Skip, a twelve year-old boy whose view of the world is highly influenced by his love of art and beauty and also by years of living with a neglectful father and later with paid carers who abused him.

Skip runs away to the city where he meets Billy, an old homeless man. Billy recognises Skip’s artistic talent when he sees him draw on the pavement with coloured chalks and takes him to a library to show him books on the great artists.

Then war breaks out. In the aftermath of the terrible destruction Skip and Billy meet five-year-old Max who is waiting fruitlessly for his mother to come for him. The city is almost destroyed but Skip’s deep desire for family sustains him as he, Billy and Max are forced to move on in the battle to stay alive, to feed themselves and find refuge.

When the trio reach a derelict fun park they meet Tia, a young dancer with a tiny baby. Despite the threat of the soldiers on the hill, lack of food and accommodation in the house of horrors, Skip is happier than he’s ever been before.

But then things start to go wrong. Billy lets him down, he’s not sure whose side Tia is on, Max still wants his mother and once again Skip has no adult to turn to for help.

This is a story of the power of hope.


If you were to write a permission note giving my readers reasons to read A Small Free Kiss in the Dark, what would it say?

Dear reader,

You have my permission to look through the eyes of an artist and see rare beauty in the most unlikely places. Permission is granted to you, to fall a little in love with Skip and with Max. I grant you permission to wonder what life would be like for you, if you woke up tomorrow and your city, your country was in ruins. And finally, I give you permission to get inside Skip’s head and his heart, to discover what it it like to be unloved and to find out how amazingly strong hope is.

The main character in your story, Skip has trouble sleeping and uses visualisation techniques in order to fall asleep. In the same situation, what happy memory would you visualise?

I think I would visualise my one perfect day that I have described below. Some people claim that visualisation can work back-to-front. They say that if you imagine something often and accurately it actually occurs. Maybe if I imagine that picnic it will happen!

One of my favourite parts of A Small Free Kiss in the Dark is when Billy takes Skip to the library. What do libraries mean to you and how important are they to you?

When I was growing up there wasn’t much money to spare, so books were often given as birthday or Christmas gifts. We lived on the outskirts of a small town and it didn’t take long to read all the books stocked in the primary school library. Visits to town were infrequent, but when I went to secondary school I travelled by bus because the school was in town. And the town had a library. That library evoked a delightful sense of excitement and expectation in me. Libraries still do that. I can go in with no idea of what I’d like to borrow and come out, arms laden with books. For me there can be no such thing as a quick visit to the library.

At the library, Skip saves three books. If you could only save three books from being destroyed, which three would you choose?

If I was in Skip’s situation and could save only three books;

I’d save one book of pictures - probably one of Van Gogh or Monet’s - to remind me of how beautiful the world once was.

Secondly, I’d save a book of words - perhaps Harper Lee’s ‘To Kill a Mockingbird’ or John Steinbeck’s ‘Of Mice and Men,’ to remind me of how decent and just and admirable man can be and also simply because I love those books both for the stories they tell and the way they are written.

And finally I’d save a book of empty pages so I could write on it.

Skip is quite the artist. I was just wondering if you had a favourite artist or piece of artwork?

Skip and I share similar tastes. I love Monet’s work and also Van Gogh’s. Waterlilies and Starry Night on the Rhone River are two of my favourite paintings.



Skip works hard in order to create for Max and Billy a 'perfect day' - what would a perfect day for you be like?

There are many places where I could happily spend a perfect day. I’d choose a picnic in the country. It would be autumn. The sun would be shining. The air would be still. There would be trees and scented roses in bloom. I’d reach my destination by hot air balloon. It would touch down beside a tartan picnic rug. There’d be deck chairs, cushions, rugs, books, endless flasks of hot tea, egg and lettuce sandwiches, melting moments biscuits, chocolates and no deadlines. But the most important thing would be that, just like Skip, I’d choose to spend it with my family.


And finally, I found A Small Free Kiss in the Dark to be an interesting mixture of quite grim circumstances together with swirls of hope. Can you tell me a little bit about this?

I wrote A Small Free Kiss in the Dark against the advice of my husband - I think he’s forgiven me now. You see when I told him about my idea for a book set against a backdrop of war, he commented that no matter how resilient the human spirit is, war is disempowering and especially so for children. So I put the project on hold. I didn’t want war to be the focus of the story and I did want to demonstrate that hope can survive even the most dire circumstances. But I wasn't sure if I could achieve either of those things. Eventually I decided that the only way I’d ever know would be to write the book. So I did and I’m very pleased you referred to it as an interesting mixture of grim circumstances together with swirls of hope as I feel as though I have achieved what I set out to do.

Thank you Glenda for those brilliant answers! A Small Free Kiss in the Dark is officially published on the 1st of May, do look out for it!